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Slothrust has premiered a new single entitled “Birthday Cake“. The band recently announced a run of North American tour dates this fall in support of their new LP ‘The Pact‘ out 9/14 on Dangerbird Records.

The band recently released their video for “Double Down“.

Slothrust is principal songwriter, guitar player and unrepentant aesthete Leah Wellbaum, with drummer Will Gorin and bassist Kyle Bann. On their fourth full-length album “The Pact”, Slothrust constructs a luscious, ethereal cosmos perforated with wormy portals and magic wardrobes, demonstrating more clearly than ever the band’s deft shaping of contrasting sonic elements to forge a muscular sound that’s uniquely their own.

Bizarre and mundane, tender and confident. The awkward duality of the forever outsider, rightly reclaimed as power. This is The Pact. Produced and engineered by Billy Bush in Los Angeles (the band’s new home base), Slothrust’s new album is a cerebral trip across 12 songs that oscillate between a quietly reflective tenderness and a slick, sleek confidence; balancing playful innocence with ballsy swagger. “This is the most fun I’ve ever had making a record,” Wellbaum confirms. “We were able to take risks. I’m saying yes more than no these days.”

Bush brought a rugged-lush sensibility to the proceedings, assuredly guiding the band into new territory. “I can’t say I’ve come across a band like this where every player is equally strong” Bush noted. “Typically there is one stronger talent and one that lags behind, but something I find really unique about Slothrust is that everybody really is extraordinary in their ability to discuss, understand, hear and play music.” “We had infinite possibilities with Billy at the helm,” Bann says. “Whereas in the past we strove to make a record that would accurately capture the way we sound live,” continues Gorin, “this time we explored making a studio album. We let the experience take us somewhere new.

Album opener and lead single “Double Down,” commands without cawing for attention – A lurching rock song with a subversive pop hook, ripped with screeching distortion that gives way to the chorus, an irreverent, emphatically cool takedown of all doubters. “Peach” showcases Wellbaum’s penchant for quirky wordplay as it free-associates “Jack-O- Lantern, Chupacabra; Sick Menorah, Candelabra” while cascading riffs illustrate her prodigious power and inventive nuance on guitar. “You were so mean to me then but no one’s mean to me now…”

“Walk Away” introduces a slinking R&B groove and an unexpectedly sultry vocal turn by Wellbaum, whose delivery shimmers as it peaks and drops, climaxing in a pulsing, frayed guitar solo full of tension that embodies desire straining against the edges of itself. “For Robin” opens with a jaunty bass line overlaid with a 1980s hotel-wedding saxophone riff, the perfect accompaniment to a lyrical narrative that takes the form of direct address to deceased actor Robin Williams.

“The Haunting” is a sumptuous odyssey through the realm somewhere between sleeping and waking that is perhaps most indicative of The Pact’s expanded sonic palette. A twangy, acoustic strum leads the way before the bass tumbles in to hug a simple, tangy melody, conjuring a sense of underwater vertigo not dissimilar from the band’s influences like Smashing Pumpkins or the reflective wail of The Pixies.  “Fever Doggs,” “a song that feels like a photograph of an old house made of dark rotting wood,” Wellbaum acknowledges, tips its hat to trailblazers like PJ Harvey as it spins toward the edge in shifting time signatures that dissolve into a furiously controlled riot.

Of the writing process, Wellbaum reflects, “I need to do it less, but I want to do it more. I don’t feel frantic anymore.”  While she might argue that there’s no concrete conceptual through-line to her writing, it’s hard to ignore the ongoing conversation between her and her restless, boisterous, but ultimately unsure inner child. “When writing a lot of this material I tried to step further outside of myself and take risks I hadn’t before. After doing that, I stepped back into the role of performer and author of the material. It’s a really liberating experience.”


01. Double Down

02. Peach

03. Planetarium

04. Walk Away

05. Birthday Cake

06. For Robin

07. The Haunting

08. New Red Pants

09. Fever Doggs

10. On My Mind

11. Some Kind of Cowgirl

12. Travel Bug


Tour Dates:

FRI SEP 14 – Los Angeles, CA @The Lodge Room

SAT SEP 15 – San Francisco, CA @Bottom of the Hill

TUES SEP 18 – Boise, ID @ –Olympic

WED SEP 19 – Spokane, WA @The Bartlett

THU SEP 20 – Seattle, WA @Barboza

FRI SEP 21 – Portland, OR @Mississippi Studios

SAT SEP 22 – Bend, OR @The Volcanic Theatre

MON SEP 24 – Salt Lake City, UT @Urban Lounge

THU SEP 27 – Denver, CO @Lost Lake

SUN OCT 14 – Sacramento, CA @Aftershock Fest

FRI OCT 19 – St. Louis, MO @Blueberry Hill’s Duck Room

SAT OCT 20 – Kansas City, MO @recordBar

TUE OCT 23 – Madison, WI @High Noon Saloon

THU OCT 25 – Minneapolis, MN @7th Street Entry

FRI OCT 26 – Milwaukee, WI @The Cooperage

SAT OCT 27 – Chicago, IL @Lincoln Hall

SUN OCT 28 – Louisville, KY @Zanzabar

TUE OCT 30 – Columbus, OH @The Basement

WED OCT 31 – Indianapolis, IN @Hi-Fi Indy

THU NOV 1  – Nashville, TN @High Watt

FRI NOV 2 – Atlanta, GA @Purgatory At The Masquerade

SAT NOV 3 – Asheville, NC @The Mothlight

WED NOV 7 – Richmond, VA @The Camel

THU NOV 8 – Washington, DC @Rock & Roll Hotel

SAT NOV 10 – Boston, MA @The Sinclair

SUN NOV 11 – Albany, NY @Jupiter Hall at Lucky Strike Social

MON NOV 12 – Buffalo, NY @Rec Room

TUE NOV 13 – Toronto, ON @The Legendary Horseshoe Tavern

THU NOV 15 – Philadelphia, PA @Johnny Brendas

FRI NOV 16 – Brooklyn, NY @Music Hall of Williamsburg


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